Filmspotting

"The Flagship Film Podcast"

“The flagship film podcast” featuring in-depth reviews, top 5 lists and interviews.

#203: Stop-Loss / All About My Mother / Top 5 Up-and-Coming Actors

This week... Adam and Matty ship off for an extended tour of duty with Ryan Phillippe as they discuss "Stop-Loss," the latest film from "Boys Don't Cry" writer/director Kimberly Peirce. Plus, in honor of Adam's "don't ask, don't tell" man crush on "Stop-Loss" co-star Channing Tatum, the boys share their Top 5 Up-and-Coming Actors.

Also on the show: Listener Feedback, Massacre Theatre and our Pedro Almodóvar Marathon continues with 1999's "All About My Mother."

Music by Dick Prall from the album "Weightless" courtesy of Authentic Records.

Filmspotting is presented by SpoutBlog and the FilmCouch podcast. Find out why The New York Timessays, "SpoutBlog's got it all," at blog.spout.com.

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CONTESTS
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Filmspotting #203
:24-14:35 - Review: "Stop-Loss"
Music: Dick Prall, "Halfway To Hollywood"
15:36-19:10 - Corrections, Notes
19:11-27:03 - Listener Feedback (Fourth Wall Movies)
Music: Dick Prall, "The Cornflakes Song"
28:09-31:42 - Massacre Theatre (Winner: Renee Stern)
31:43-39:56 - Almodóvar #3: "All About My Mother"
Music: Dick Prall, "If It Bends"
40:28-45:38 - New DVDs, Contests, Donations
45:39-49:38 - Top 5 Setup, Poll Questions
49:39-1:03:40 - Top 5: Up-and-Coming Actors
1:03:41-1:06:10 - Close/Next Show/Outtake

NOTES/CORRECTIONS
- Studio 360 interview with Kimberly Peirce.

- Matty and I realize that we have a tendency to lump any 'war on terror' movie into the same category even if that's not really appropriate. For example, "Taxi To The Dark Side" is a movie about the U.S. policy on torture and not really an 'Iraq movie', though a good chunk of it does deal with Abu Ghraib.

- Matty commented that "Stop-Loss" is basically "Varsity Blues" goes to war. Am I crazy, or were the marketing folks apparently thinking the same thing? Check out the posters here and here.

- Who is Sargent Shriver? Find out here.

- A Tale of Two Pedros by Michael Atkinson.


 
 

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