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Friday, March 10, 2006

Cinecast #84: Floating Weeds/Top 5 Cop Movies

Stop, in the name of Cinecast.

Floating Weeds/Top 5 Cop Movies: By the end of the Overlooked Auteurs Marathon, Adam and Sam were starting to feel like selfish lovers. It was good for them ... but was it any good for you? They certainly hope so. Cinecast wraps up its Overlooked Auteurs Marathon with Yasujiro Ozu's 1959 film "Floating Weeds." More accessible, and only slight less profound, than Ozu's "Tokyo Story," "Weeds" provided further proof that Ozu is without question one of the most unique filmmakers of the 20th century. Next week -- because who doesn't love an awards show? -- Adam and Sam will hand out their Best of the Overlooked Auteurs Marathon awards. (And if you've got an idea for a catchy award name, such as The MacGuffins or The Dukes, please pass it along!)

Also on the show: Listener Feedback and our Top 5 Cop Movies.

As promised during the podcast, you can read Adam's review of the Bill Paxton-directed "Frailty" here.

Music by Dag Shaw and Alejandro Escovedo ... Cinecast theme music by Age of the Rifle.

Cinecast is brought to you by Peerflix. Trade DVDs online at peerflix.com/cinecast.

And also by 'Big Love' from HBO, a bold new dramatic series that explores the complicated life of a modern day polygamist. Big Love. Polygamy loves company. Premieres this Sunday March 12th at 10 P-M/9 Central, immediately following 'The Sopranos,' only on HBO.

Listen to Cinecast #84

Cinecast #84
:34-14:12 - Overlooked Auteurs: "Floating Weeds"
Music: Dag Shaw, "When I Put Out To Sea"
14:47-24:16 - Thank You's, Musicals Lineup, Corrections
24:17-29:31 - Listener Feedback (North Country, Henderson, Weather Man)
29:35-30:48 - Sam's Peerflix Testimonial
Music: Alejandro Escovedo, "I Was Drunk"
31:25-37:41 - Listener Feedback cont. (Tokyo Story, Bill Paxton)
37:42-49:40 - Top 5 Cop Movies

Have a comment or Top 5 list you'd like to share? Send us an e-mail at cinecast@cinecastshow.com. Or give us a call at 206-203-CINE and leave a voice message.

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